In this studio course, we will investigate the intersections and paradoxes of nature, art, and technology. Working between the digital fabrication studio and Pittsburgh’s surrounding landscape, we will consider how technologies can augment, interrupt, and expand our understanding of the natural environment. Studio exercises will be supplemented with field trips, readings, lectures, and discussions that contextualize digital practices within the histories of art and the natural world. In addition to individual projects, there will be one collaborative class project with opportunities for individuals to design their own contributions to it.--------------------------------
This studio course will introduce focus on contemporary artistic practices that engage with non-visual senses. Class activities will introduce students to modes and methods of working with olfaction, sound, taste, and tactile sensation. Studio exercises will be supplemented with field trips, readings, lectures, and discussions. In-class experimentation will lead to the development of a final project that engages primarily with one or more non-visual senses. There will be one collaborative class project with opportunities for individuals to design their own contributions to it.--------------------------------
Artists have long engaged with the sun for its metaphoric potency and its social implications, and solar power has a history entwined with western environmentalism and ecological techno-optimism. After decades of refinement, the technology itself has become viable to affordably power simple devices. Social Solar introduces concepts and tools of solar energy to explore how contemporary artists use solar energy as a material for art making and a structure for interaction. Studio workshops introduce students to the tools and strategies needed to work with solar sourced energy, while discussions, readings, activities, and field trips will contextualize the technology and its methodologies within broader social contexts. An ongoing collaborative class project will provide a platform for students to engage in a public project, with opportunity for students to devise their own contributions to it.--------------------------------
Positioned within and beyond the Columbus building courtyard and gardens, KLab: Assemblages will look to related organisms, and organizations, to investigate the complex material and social assemblages that form Chicago’s urban ecosystem. Looking to the class environment as its own assemblage, students will be encouraged to pursue both individual research interests and methods of collective inquiry as we investigate material histories, contemporary conditions, and speculative futures. Class projects will encourage investigation of the sticky conglomerations that form when position ourselves among and between communities of human and nonhuman organisms, and we will take a critical look at interdisciplinarity and collaboration in contemporary artistic practices. Integrating critical readings, lectures, presentations, field trips, skill-building workshops, and discussions, students will be asked to design and build sculptural structures and surfaces that propose new forms of social and ecological engagement. There will be at least one group project with opportunity for students to design their own contribution.--------------------------------
Extending beyond the visual, Eco-Sensing and the Soundscape seeks to integrate senses within and beyond the human body to engage in a deeper understanding of the world by blending techniques of listening and observation with new media technologies of signaling, sensing and recording.
Ecological concerns are intrinsically tied to new media technologies, and as we use them to understand our environments these practices must also be paired with critical discussions, public engagement, and an understanding of these techniques in a broader repertoire of unmediated listening and observation.
The team taught course will leverage the expertise and community involvement of each instructor. Eric will introduce techniques and practices of acoustic ecology, and Lindsey will present present strategies and techniques of new media technologies. Both instructors share overlapping areas of expertise and research in ecological landscapes and environmental concerns. These areas of research and involvement will formalize in the classroom to connect technical skills with the generation of art work in public and community oriented arenas. Class discussions rooted in texts of listening, ecology and new media will be reinforced by exercises in listening, sensing and computing, and ultimately brought to form as public and site specific works and performances.
This studio class uses mapping concepts and technologies to explore how we come to know and understand space, and how we relate to the actual places that we live in. Project assignments will encourage investigation of a variety of media and dimensionality, as well as spatial concepts. Students will experiment with hand and digital techniques—including an introduction to Geographic Information Systems (GIS) and aerial balloon mapping—for visualizing, interpreting, and re-inventing places, and for creating maps as tools, images, objects, or interventions. The class will investigate how contemporary artists use mapping as a flexible tool across a spectrum of practices, from visual poetics to material investigations to projects promoting environmental justice. Studio projects will be supported with field trips, lectures, exercises, demos, readings, and discussions. There will be one collaborative class project with opportunities for individuals to design their own contributions to it.--------------------------------
With the continuing ubiquity of physical computing and advances in wearable technologies, artists are enabled in new ways to bring new media art into expanding landscapes. This studio course will take a critical look at ideas of nature and technology, using Chicago’s urban ecosystem as a site of intervention. The course will begin with on-site exploration of Chicago’s Park Systems and other public landscapes. On- and off-campus workshops will focus on techniques of sensing and interfacing with the environment, making use of the Arduino and the LilyPad, and introducing a variety of environmental sensors and techniques of information storage and transmission. Studio work will be contextualized with critical readings, research and discussions about evolving ideas of landscape and environment. Through a series of culminating projects, students will use new media techniques to interface with Chicago’s urban ecosystems.
Sound collection, and its related data collection, complicate any single experience of environment as complete. Ubiquitous computing and data collection can provide a variety of non visual cross-sections through which a more complicated understanding of the environment can be experienced.--------------------------------
http://octothorpnature.tumblr.com/From fear and reverence to protection and over management; how we relate to nature is intimately entwined with the history of technology. In this course we will explore how new technologies can augment, interrupt, and expand our understanding of the environment. We will use Chicago's landscape to unpack ideas of nature, technology, and sustainability through field trips and site-based work. Students will be introduced to a range of new media technologies and strategies, including creative coding, video tracking, and sound recording to aid in the creation of new works. We will expand our notion of environment to include social networks and the web as new landscapes and potential sites of installation. Readings by Donna Haraway and Lev Manovich will frame our discussions of works including the sublime landscape paintings of the Hudson River School, rAndom International's Rain Room, Ken Goldberg's Telegarden, Luke Jerram's Plant Orchestra, Natalie Jerimijenko's experiments and Philip Beasley's biomimetic sculptures, among others.--------------------------------
This team-taught, introductory course provides a foundation for most additional coursework in the Art and Technology Studies department. Students are given a broad interdisciplinary grounding in the skills, concepts, and hands-on experiences they will need to engage the potentials of new technologies in art making. Every other week, a lecture and discussion group exposes students to concepts of electronic media, perception, inter-media composition, emerging venues, and other issues important to artists working with technologically based media. Students will attend a morning & afternoon section each day to gain hands-on experience with a variety of forms and techniques central to technologically-based art making.--------------------------------
SAIC Wired 1: Imaging and Web explores digital imaging, design, and basic interactivity for artists and designers. Students learn how to create, use, and integrate a range of graphics, text, media, and HTML and CSS techniques in the development of creative projects.
This required 1.5 credit hour course is intended to enhance the first year Contemporary Practices curriculum by providing structured, targeted tutorials that introduce students to basic and intermediate imaging and web authoring techniques in an academic context that is both critical and celebratory of the new media tools —both proprietary and open source. The web is a medium that now must be understood and managed by artists from any field; for this reason, the curriculum is focused on imaging and authoring for the web.
Students are encouraged to use the assignments and discussions to explore individual academic and artistic interests and expand on one's practice.--------------------------------